The first thing to say is that the author to make an effort in perspective, background, and framing. Using these elements are primal success of a good illustration. Give momentum according to the given scene and the message transmitted. Graphically, there is respect vis a vis the design and spirit of the character of Sai. The traditional side made in ink or felt-alcohol, reminds himself the art of the Master Kishimoto. Sai in its largest class. ° ° Proportions, movements, colors were carefully chosen to give overall coherence. Finally, giving the illustration of the entries in the form of kanji give him even more acclaim. There are very few negative points to raise, except that the style is impersonal and there he made his greatest strength.
Using these elements are primal success of a good illustration.
Give momentum according to the given scene and the message transmitted.
Graphically, there is respect vis a vis the design and spirit of the character of Sai.
The traditional side made in ink or felt-alcohol, reminds himself the art of the Master Kishimoto.
Sai in its largest class. ° °
Proportions, movements, colors were carefully chosen to give overall coherence.
Finally, giving the illustration of the entries in the form of kanji give him even more acclaim.
There are very few negative points to raise, except that the style is impersonal and there he made his greatest strength.
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